When Lucien Mayer, 14th Earl of Ravensberry is taken hostage by a gang of highwaymen, he is drawn to the damaged, reclusive Ambrosius and the dangerous, brooding Dante. Torn between escaping and satisfying his body’s needs, his life will never be the same again.
Review by Erastes
Oh dear, I thought. Another kidnap/rape-non con turns to love story. However it turns out that it’s not quite as predictable as I imagined and that was a nice surprise.
The cover is quite nice. Frilly shirt: check. Moonlight and a castle: check. Not a bad cover at all.
The length is only 34,000 words, though – even though Total e-bound Publishing call it a novel. I wouldn’t call that size anything but a novella, so pay your £2.99 knowing the length.
Lucien is travelling the London to Nottingham road (incidentally where his parents were killed by highwaymen some years before.) I’d thought that it was nice to see highwaymen represented at killers, rather than “give us a kiss milady and I’ll stop at taking your earbobs” which you see too often. They were as nice and chivalrous as pirates were like Jack Sparrow. Sadly the men who kidnap Lucien fall prey to this Hollywood stereotype later in the book, content with kissing the bejewelled hand of the Baron’s daughter than nicking all her bejewells.
Lucien is waylaid by four highwaymen and when he jumps out of the carriage to defend himself, his coachman sensibly runs away. It’s a good, exciting beginning to the story, and made me want to read on, despite the editing, which was sadly lacking in commas in many places, such as before names (e.g. “I don’t want to see you suffer Lucien” which actually means that he doesn’t want to see him suffer from Lucien), and inconsistencies such as two men sticking their head through a carriage window, and the face that it was very late at night and yet eye colour is clearly noticed. There are unforgivable typos too. “Dual” instead of “duel” and Lucien’s name misspelled for two examples. All little things on their own, but put together they irritate and pull a reader out of the immersion of the story.
What happens next is pretty predictable. Even though Lucien has been kidnapped–and he seems to have no thought that anyone would miss him– he immediately gets aroused just by looking at the sexy quartet, and rather than worrying about his life, he starts fantasising about having sex with them all, even to the point of wanking off There’s obvious tips to the yaoi fans; Lucien has turquoise eyes (later blue green, then aquamarine), another has green/amber/gold eyes and so on.
The men are not really manly men either, there’s lots of soul-searching and I love you’s and a lover that can never be forgotten, lots of teardrops trembling on eyelashes and betrayed hearts. If that’s your cuppa tea, you’ll revel in this.
From the clothes, black velvet breeches with embroidered work, and the fact that there are glamorous highwaymen, I’m assuming that the time period is the 18th century, rather than the late 19th, so a cottage with a fully fitted bathroom with a large bathtub “swimming in soapsuds” was a little unusual. Granted the richest of the land could afford such luxuries, but these four bandits live alone with no servants and cook for themselves. They are not princes and kings. There’s no real sense of fear of capture for the highwaymen, either. They live very close to the road they predate, and they don’t worry about the watch at all–there would certainly be patrols out to capture four active highwaymen like these.
Lucien decides to seduce whoever it takes to get away, and he’s soon grappling with a few of the highwaymen, both participating willingly and watching avidly.
It’s all a little confusing and inconsistent, one minute he wants to escape, one minute he really fancies Ambrosius, the next he knows he’s going to beg the evil Dante to shag him. It’s like a big sexy orgy in the 1800s with everyone wanting everyone else.
There’s a quite jaw-dropping “revenge” issue to the story which I won’t spoil, but whilst I don’t want any 21st century values to creep into a historical story, I found this aspect particularly repulsive, as the man being sought out for revenge had only defended himself against armed robbers! It didn’t endear me to the highwaymen in the slightest, to be frank. Neither did the constant weeping.
I won’t spoil the plot any more than that, but if are a fan of the Black Lace type of erotica and you like a lot of sex with your story, then you won’t be disappointed with Stand and Deliver.
It’s not a bad story and as I say, if you like sexy sensual stories with your heroes finding their erections more diverting than being in fear for their lives then you’ll enjoy this. I’ll probably give this author another go, particularly if they work harder on the editing and make their men a bit less like erection obsessed love-struck girls.